Roger de Piles' Theory of Art and New Techniques for Opening Scenes in Moliere, Landois and Diderot
Identifieur interne : 000878 ( Main/Exploration ); précédent : 000877; suivant : 000879Roger de Piles' Theory of Art and New Techniques for Opening Scenes in Moliere, Landois and Diderot
Auteurs : Romira WorvillSource :
- Journal for Eighteenth‐Century Studies [ 1754-0194 ] ; 2001-03.
English descriptors
- Teeft :
- Arbitrary signs, Argan, Arte graphica, Boileau, Classical drama, Conversation avec, Cours, Court painters, Diderot, Dominant mood, Eighteenth century, Elizabeth sophie cheron, Elle, Eugene despois, Facial expressions, Fils naturel, Final scene, First scene, Good painting, Jacques proust, Landois, Lifelike representation, Main character, Malade imaginaire, Natural sign, Natural signs, Opening scene, Opening scenes, Opening scenrs, Painting impacts, Pastoral prologue, Paul landois, Paul mesnard, Peinture, Penible intrigue, Pierre mignard, Piles, Prologue, Realistic representation, Romira, Romira worvill, Same time, Svetlana alpers, Thomas puttfarken, Total image, Truthful imitation, Visual components, Visual elements, Visual image.
Url:
DOI: 10.1111/j.1754-0208.2001.tb00431.x
Affiliations:
Links toward previous steps (curation, corpus...)
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- to stream Istex, to step Curation: 000083
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Le document en format XML
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